The trailblazing ballerina Misty Copeland, the first Black female Principal Dancer at American Ballet Theatre, is stepping ...

Familiar and unfamiliar Sibelius, a coruscating violin concerto and a recent score by Caroline Shaw are the elements of Dalia ...

From an Anna Clyne Irish premiere to Tchaikovsky’s brilliance and Shostakovich’s grim wit, the NSO balances virtuosity with ...

A lean Seattle Symphony under guest conductor Ivars Taurins brings stylish energy to Baroque orchestral theater by Telemann, ...

Montone anchored the brass section with bright, penetrating horn calls in the first movement, and Salonen expertly balanced ...

From Bernstein’s private elegy to Tchaikovsky’s tempered affirmation, the Israel Philharmonic offers an evening of reflection ...

The Royal Liverpool Philharmonic Orchestra’s former Chief Conductor returns for a concert of mostly Russian repertoire.

Swan Lake opens the season for Kansas City Ballet in a splendid looking production and with very pleasing interpretations.

Kings Place, of the most successful new additions to the London music scene, sits in a rapidly changing King’s Cross – an ...

Digital projections make Opera Ballet Vlaanderen’s Parsifal seem alienating and strange, but the singing is terrific and the ...

As Ballet Teatro Colón celebrates 100 years, Julio Bocca, its new artistic director reveals how he wants to tour the company ...

Dame Mitsuko Uchida brings forth with crystal clarity Beethoven's masterful counterpoint and harmony in a recital of his last ...