Opera flourishes: in spite of all the financial cutbacks, the UK’s opera companies are managing to create new work and ...

As usual, my retrospective list of the “best” classical and opera offerings of the year has a lot more to do with lasting impressions than definitive rankings. This was a year of big tours and bold ...

Performances in N.Y.C. Advertisement Supported by Standouts included the soprano Lise Davidsen and the Berlin Philharmonic, a new opera by Missy Mazzoli and bits of old ones by Schubert. By Zachary ...

Performances in N.Y.C. Advertisement Supported by Thinking outside the canon, and finding the gritty and the beautiful, within it. By Joshua Barone and Corinna da Fonseca-Wollheim JOSHUA BARONE Few ...

Late in the afternoon on Nov. 10, lights began to dim as a packed audience eagerly waited at the Emerson Colonial Theatre. The Boston Lyric Opera’s staging of the classic opera “Aida,” with music by ...

The Indianapolis Opera is opening its 50th anniversary season with “The Barber of Seville,” a timeless comedic opera, at the Booth Tarkington Civic Theatre in Carmel from November 15 to 17. The ...

This post was updated Nov. 21 at 4:35 p.m. Opera UCLA’s latest production plays to haunt the narrative. Over 70 years since its Venice premiere, Benjamin Britten’s chamber opera “The Turn of the Screw ...